It’s wild to think the reMarkable 2 was announced in March 2020, a time more famous for other reasons these days. More than four years later, the company is ready to show off its latest distraction-free writing slate. That long gestation period has been worth it, with the new model packing a nicer chassis, faster internals, a bigger display and crucially, a color screen. Say hello to the reMarkable Paper Pro.
If you’re unfamiliar, reMarkable is the standard bearer for those devices standing in the delta between high and low tech. It’s an e-paper slate with a stylus (or keyboard) for reading, writing or editing your own documents, or annotating PDFs. The focus is giving you a calmer space to get some Serious Work(™) done, free from the distractions a “proper” computer or tablet would harbor. The company has always maintained that its devices offer you a way to feel like you’re working on paper, without actually having to work on paper.
The Paper Pro is a little more than an inch taller and a quarter inch wider than its predecessor but has been able to cram in a lot more stuff. The rM2 had a 10.3-inch monochrome display while the Paper Pro’s stretched to 11.8-inches. reMarkable’s Chief Design Officer Mats Solberg explained his team worked to reduce the size of the bezels and chin to accommodate the bigger display.
Whereas the older model stuck to a rigid notion of post-iPad design language, the new Paper Pro gets a more austere look and feel. The edge band is sharper, if still comfortable to hold, and Solberg emphasized the grooves etched into the sides. He explained they both evoke the idea you’re holding a sheaf of paper, and to add some much-needed grip to a device this thin.
There’s dramatic changes on the inside, with a new 1.8Ghz quad-core Cortex A53 paired with 2GB RAM and 64GB storage. For comparison, the rM2 had a 1.2GHz dual-core chip, 1GB RAM and just 8GB storage. As soon as you turn the Paper Pro on, you’ll see the benefits of the new silicon, with far faster response times. You even get proper animations during the setup process.
But the real showstopper here is the display, which uses a modified version of E Ink’s Gallery 3 technology dubbed “Canvas Color.” It means the display holds a series of ink particles inside each pixel — a White, Cyan, Magenta and Yellow — as in most regular printers. reMarkable says the display is similar to newsprint and it’s an apt analogy with clear, if muted, colors on show.
The technology can also dither colors, mixing each ink particle to produce up to 20,000 other colors, and the colors can also be layered. It means you can highlight sections of text in the same way you’d use a highlighter on paper, the more layers you draw, the darker the color. Of course, the benefit of using a digital device is that you can highlight it as many times as you want without anything becoming soggy.
As usual, reMarkable has leveraged a limit and turned it into a benefit, offering you colors with a heavy dose of restraint. And you don’t really need your retinas to be burned inside out if you’re trying to organize your thoughts ahead of a big meeting. Although, having been spoiled by so many well-made displays of late, I do wish the colors popped a little bit more than they do.
The Paper Pro is the first reMarkable with a frontlight, finally letting you get some work done in dark environments. Solberg explained the frontlight was one of the hardest challenges to build without harming the distance between the stylus tip and the display itself. He said the team was determined to keep the gap between the pen and the display to under one millimeter, and succeeded.
The last two slates had active displays but passive styluses, but the Paper Pro gets an Apple Pencil-esque active stylus as well. It’ll charge while magnetically connected to the side of the bezel and the new components help improve accuracy and latency. Solberg said the reMarkable 2 had an input latency of 22ms, and he had targeted 15ms for this model. He was proud to say that the team smashed that target, with the Paper Pro’s latency down to just 12ms.
And yet, for all the headline changes, it’s the added responsiveness that’s the really compelling feature. The rM2 was no laggard, but the faster input really does help sell the idea you’re sketching out ideas on paper. You can always credit the company for sweating the details, too, like the fact you can add a highlight or handwritten annotation to typed text that will follow the text around as you edit it.
The company is launching a new Type Folio to go with the Paper Pro which, like its parent, is bigger and gets backlit keys. I’ll admit, I was one of a few critics who loved the older model and felt that it made the right compromises to keep its size small. The new model is able to take advantage of the extra room to offer better spacing and a palm rest. It’s fundamentally the same keyboard as before, and I found it pretty easy to work on for long stretches of time.
I’m also impressed with reMarkable’s commitment to making the Paper Pro easier to repair and refurbish than older models. Solberg explained that the Paper Pro is far more modular under the hood, with easily-swappable components. He ruled out end-user repairs, but said that the only adhesive used in the chassis are two replaceable glue strips to keep the battery in place. Repairs would likely need to take place at reMarkable HQ or a partner distributor, but the fact it’s been designed with an eye on long-term repair at all is laudable.
reMarkable Paper Pro is available to order today from reMarkable’s website and Best Buy, priced at $579 with the standard Marker and $629 for the Marker Plus. If you want to add a case, and I heartily recommend you do, it’ll cost you between $89 and $179, depending on your material choice. And if you want to add the Type Folio, you’ll need to cough up an additional $229. The reMarkable 2 is remaining around as a lower-cost option (unsurprisingly, as it’s a really good piece of kit) and will now be available with the standard Marker for $379.
Of course, you and your wallet will have to decide if that’s the sort of sum you can bear to part with, especially in these tightened times. With a product like this, the intentional choices and limits made means it’ll always stack badly in a head-to-head with a similarly-priced iPad. The trick is to work out if you’ll be more productive with less mental and physical clutter in your computing environment, and go forward from there. I’ve found, when I’ve got a lot of work to do and need to focus, it’s a better way to hammer out first drafts than other devices I could name.
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